Wild Angels

                                   The most terrifying film of your time!

Their credo is violence...
                                          Their God is hate
                                                            ...and they call themselves

                                         The Wild Angels (1966)

Blues' is the leader of a gang of Hell's Angels. His friend, 'The Loser', has lost his 'cycle but when he takes one from the police he is shot. 'Blues' and the gang spring 'The Loser' from hospital but he dies. The funeral degenerates into a party, then a fight. But 'Blues' has lost heart and when the police come, he stays alone to face them.
Loser, a member of the Hell's Angels, has his bike stolen by a group of Mexicans. He calls in his fellow member Blues as well as several of the other members to help him get his bike back and beat up the guys who stole it. When they get to where Loser's bike is, a huge melee breaks out and several of the guys who stole the bike are beaten to a pulp. However, the police soon arrive and the gang splits. Loser, finding himself without a bike, steals the bike of one of the officers and is chased down and shot. Loser is then taken to the hospital, so he can recover before being prosecuted. The gang then comes and takes him out of the hospital, but in the process they break the bottle of blood that is keeping him alive and one of them attempts to rape a nurse that catches them in the act. But with all the trouble they go through, Loser still winds
Roger Corman shocked Hollywood and the world with his controversial telling of the Hell's Angels Motorcycle Gang. But, in telling the story, Corman depicts the generation gap of the 1960s and the feeling of hopelessness by the youth of middle-America as the war in Viet-Nam raged in the background.

Peter Fonda equals his role in Easy Rider. He plays Heavenly Blues the leader of the Angels. He plays it cold and emotionless-a true leader void of feeling, but hungry for power. Nancy Sinatra gives her finest performance as his devoted girl-friend, still clinging to the old fashion idea of Love, yet willing to do "anything" to keep her man. It's in casting Fonda and Sinatra in the lead roles that Corman gives his movie the impact it richly deserves. They represented the youth of the 1960's rebelling against their parents concepts of love, life, and morality. The supporting cast includes fine performances by Bruce Dern, Diane Ladd, Micheal J. Pollard, and Gayle Hunnicutt.

                                           Summary written by Brian Washington